This is the first solo exhibition of Michel Majerus’ work in France.
Produced in collaboration with the Kunstmuseum in Stuttgart, this
retrospective will gather 35 works produced by the artist between 1996
and 2002, as well as two major installations.
The Bernard Magrez Cultural Institute’s new exhibition
of modern and contemporary art will cross men’s and women’s views on
Beauty, bringing forth the paradox of Beauty induced by the
confrontation of twenty artworks.
In the second half of the 19th century, with the impressionists, the gesture,
the track, the color became some formal and visible signs on the paintings. At
the beginning of the 20th century, these signs gave rise to the abstraction